I never used to get the point of HAM radio, a bunch of (mainly) guys hunched over radio sets trying to make contact with foreign radio operators and sending each other postcards for proof. But I started selling my ebooks internationally this summer with E-Junkie and PayPal, and I've been amazed at how fast the countries have stacked up. I've also been amazed to find that each new country I add feels like winning a prize. I finally broke down this week and created an alphabetized list (manually, so no surprise if I got the order wrong), which is up to 28 countries:
Argentina
Australia (15)
Austria
Belgium
Bermuda
Brazil (2)
Canada (4)
Chile
Cyprus
France
Honduras
Indonesia
Ireland (4)
Israel
Italy (2)
Japan
Mexico
Malaysia (2)
Micronesia
Netherlands (3)
New Zealand
Saudi Arabia
Spain
Sri Lanka
Switzerland
Taiwan
Trinidad and Tobago
United Kingdom (24)
English is the primary language in just three or four of these countries, so there are quite a few ESL (English as a second language) or expat Anglo ebook buyers living overseas. Aside from the strange satisfaction I get out of reaching people in so many countries so quickly, thanks to the Internet, there's potentially a grain of publishing knowledge in the data.
Why should Australia, with about a third of the population of the UK, account for two thirds as many sales as the UK? For some reason, Australians are about twice as likely to buy ebooks, or at least my ebooks, than UK residents. I can think of two possible reasons. First, if Australians live further from bookstores than people in the UK, there may be a natural tendency to buy ebooks online. Obviously the population density in Australia is much lower than the UK, but I don't know how it's distributed. If most Australians live in apartment blocks in large cities, it wouldn't be the case. Second, my books aren't easy to get in Australia without paying a lot for shipping and waiting a long time. The books are available in the UK through Amazon UK and several UK distributors.
Since I'm selling without DRM, I don't have to worry about international DRM issues. When Amazon first started selling ebooks supplied by Lightning Source back way back when, I would have sworn that they initially sold them internationally, then eventually cut back to US only. It may have had to to with customer support, local laws, or issues that generation of DRM software had with international platforms. Since my paper trail on those sales stopped at the distributor, I never knew where they were selling unless somebody dropped me a note.
I've been getting more correspondence and comments on the ebook selling subject lately, and I continue to be surprised by the dichotomy in the ebook publishing business. I don't doubt that new publishers following the various formulaic approaches to getting rich selling ebooks see it as being just as ethical than opening a new restaurant or clothing store. They do their market research and purchase advertising judiciously, then if the stars line up, they make a good profit. In a sense, putting the book last isn't that different from what the large trade publishers do, but there's something about selling people copy-written ebooks full of recycled Wikipedia content and Top Ten lists that bothers me as a business model. The best of those publishers are basically shooting for a finished ebook that doesn't leave the buyer feeling ripped-off. Aside from skirting the boundaries of ethical business practice, these publishers will never see any organic sales growth through word-of-mouth or free publicity. They'll always be locked into purchasing advertising from websites that have real content, and trying to make the dollars work out.
I do worry that shovelware ebooks give the whole ebook publishing business a bad name, and probably make international buyers extra wary of purchasing ebooks from a company they don't recognize. Maybe the fact that there are printed versions of my books for sale in bookstores gives some sophisticated overseas buyers the confidence to pay for the ebook version. It's the sort of thing I'd probably due a survey on if I were a corporation, but I hate getting "exit surveyed" after purchasing an item online myself, so I'm not going to force it on my own customers.
Print on Demand and ebook publishing have created a whole new model for publishing. Are POD and digital books the answer to an author's prayers, or just an evolutionary step between traditional publishing models and free Internet distribution?
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American Book Blight
Starting around 100 years ago, American Chestnut trees were infected by an imported blight which apparently originated in Japan or China. With no native resistance, the American Chestnuts, estimated at four billion strong, were wiped out. However, their root systems proved so resilient that they continue a shadowy existence under the canopy, throughout their native range. After sprouting from old roots, they out-compete the other young trees of the forest until they near maturity, when they contract the blight and die. Since they rarely mature sufficiently to flower and produce nuts, Darwinian mechanics has yet to produce a solution. While inspecting a property this morning near the Quabbin reservoir Massachusetts, I came upon a whole grove of young American Chestnuts, distinguishable primarily by their leaves:

One of the trees in the grove was surprisingly mature, I'd estimate the diameter nearly six inches, though you can see the blight cankers stretching vertically on the bark.

American Book Blight came along much later than the Chestnut Blight, and there's no blaming foreigners for this one. I'd suggest American Book Blight took off in the 1970's, grew steadily until the early 1990's, and then took a huge jump as book superstores, discount chains and Amazon changed the economics of the book business. Instead of tens of thousands of new titles reaching maturity each year from a hundred thousand seedlings, only a few thousand titles grow to maturity these days. The sales of those mature titles have become super-sized, with bestsellers routinely going over a million copies, but what's lacking are the tens of thousands of new mid-list or back-list titles selling in commercial quantities. Trade publishing is more of a lottery, winner-take-all game than it was a few decades ago, though part of this may be due to the decreasing influence of the library market.
My first solution for the American book blight was given in my last post about trade publishing lay-offs. A new crop of publishers is what it will take to nurture and grow the next generation of blight resistant titles to a modest maturity. Large trades can't make a profit planning new titles that will sell on the order of a thousand copies a year, but a long-lived grove of such titles will keep a self publisher in nuts for the cold winters ahead. New independent publishers who adopt print-on-demand economics may need to sell a several times that number unless they charge astronomical cover prices, but a modest list averaging three or four thousand units per title per year can pay a couple salaries.
Scientists have been working for years to breed a blight resistant American Chestnut hybrid, hoping that a tree that is 15/16ths American (and 1/16th Chinese) may prove blight resistant enough to repopulate the East Coast range. I think a similar hybrid approach is key to beating American Book Blight, but I'd suggest more than a 16th of non-paper revenues in the mix. I'm currently trying to move my own publishing business to a 50/50 model, 50% paper books printed on demand and 50% electronic, from Ebooks or web revenue. If I can get there, it will be a model that allows even smaller market books to mature, flower and provide the publisher with enough nuts to last year-round. And remember, if you ever get into a conversation with a forestry type who gets on the subject of the chestnut blight, and you want to make a bad impression, interrupt with , "Oh yes, American Chestnuts. Them's good burning"
One of the trees in the grove was surprisingly mature, I'd estimate the diameter nearly six inches, though you can see the blight cankers stretching vertically on the bark.
American Book Blight came along much later than the Chestnut Blight, and there's no blaming foreigners for this one. I'd suggest American Book Blight took off in the 1970's, grew steadily until the early 1990's, and then took a huge jump as book superstores, discount chains and Amazon changed the economics of the book business. Instead of tens of thousands of new titles reaching maturity each year from a hundred thousand seedlings, only a few thousand titles grow to maturity these days. The sales of those mature titles have become super-sized, with bestsellers routinely going over a million copies, but what's lacking are the tens of thousands of new mid-list or back-list titles selling in commercial quantities. Trade publishing is more of a lottery, winner-take-all game than it was a few decades ago, though part of this may be due to the decreasing influence of the library market.
My first solution for the American book blight was given in my last post about trade publishing lay-offs. A new crop of publishers is what it will take to nurture and grow the next generation of blight resistant titles to a modest maturity. Large trades can't make a profit planning new titles that will sell on the order of a thousand copies a year, but a long-lived grove of such titles will keep a self publisher in nuts for the cold winters ahead. New independent publishers who adopt print-on-demand economics may need to sell a several times that number unless they charge astronomical cover prices, but a modest list averaging three or four thousand units per title per year can pay a couple salaries.
Scientists have been working for years to breed a blight resistant American Chestnut hybrid, hoping that a tree that is 15/16ths American (and 1/16th Chinese) may prove blight resistant enough to repopulate the East Coast range. I think a similar hybrid approach is key to beating American Book Blight, but I'd suggest more than a 16th of non-paper revenues in the mix. I'm currently trying to move my own publishing business to a 50/50 model, 50% paper books printed on demand and 50% electronic, from Ebooks or web revenue. If I can get there, it will be a model that allows even smaller market books to mature, flower and provide the publisher with enough nuts to last year-round. And remember, if you ever get into a conversation with a forestry type who gets on the subject of the chestnut blight, and you want to make a bad impression, interrupt with , "Oh yes, American Chestnuts. Them's good burning"
Downsized and Laid-off Publishing Employee Retraining
So you've been working at publisher X for the last ten years and the axe just fell. They're sorry to have to let you go, but your job has been made redundant through mergers and downsizing. The number of titles is growing but the bookstore business is stagnant and anybody who keeps a job at a large trade in the future will really be working for Amazon. Well, here's your chance to leave the dark side and join forces with the children of the light working in independent and self publishing.
I've known some really competent people who worked for trade publishers and I've known some real clowns, but one thing stands out. You can develop valuable job skills during a career in trade publishing, but unfortunately, most of them are essentially corporate get-along skills. Out here in the non-corporate world, dressing to impress, yessing to say "yes", making a great pot of coffee and giving good meetings are non-marketable skills. Wait, I take it back about the coffee. Mastery of spreadsheets can only get you in trouble and a fine appreciation of "the right way to do things" means you're a dinosaur, and not one of the scary ones.
But if you've watched your laid-off editor friends drop out of the industry one-by-one as they bang up against the invisible age ceiling, or if you're tired of going home to live with your parents every few years, it's time to get off the trade publishing merry-go-round. While I'm fond of pointing out to new authors and publishers that it's a tough business, that's where you have an advantage coming from the trade world. You already know that publishing is a business where only the strong make money, and you probably know quite a bit about market research. Let's face it, trade publishers excel at market research, if they were also good at acquiring and producing and marketing books that met that demand, you wouldn't be looking for a job right now.
As part of my outreach program to former developmental and acquisitions editors, I want to stress two points. First, you can't plan to replicate the business model that you're used to, but on a smaller scale. It's employees that are easy to downsize, not business models. You've rewritten or finished enough books for deadbeat authors, it's time to write one yourself. The great thing about being laid-off in America (so I hear) is collecting unemployment, so don't waste the chance by sitting on the couch and watching TV, or by blowing the money playing at being in business. Launch your publishing website today, and figure it out as you go along. Nobody is looking over your shoulder anymore, you can mess up all you want. But it's time to get out of corporate gear and shift up to self-employed gear, and if you can do it without coffee, you'll live longer.
I've known some really competent people who worked for trade publishers and I've known some real clowns, but one thing stands out. You can develop valuable job skills during a career in trade publishing, but unfortunately, most of them are essentially corporate get-along skills. Out here in the non-corporate world, dressing to impress, yessing to say "yes", making a great pot of coffee and giving good meetings are non-marketable skills. Wait, I take it back about the coffee. Mastery of spreadsheets can only get you in trouble and a fine appreciation of "the right way to do things" means you're a dinosaur, and not one of the scary ones.
But if you've watched your laid-off editor friends drop out of the industry one-by-one as they bang up against the invisible age ceiling, or if you're tired of going home to live with your parents every few years, it's time to get off the trade publishing merry-go-round. While I'm fond of pointing out to new authors and publishers that it's a tough business, that's where you have an advantage coming from the trade world. You already know that publishing is a business where only the strong make money, and you probably know quite a bit about market research. Let's face it, trade publishers excel at market research, if they were also good at acquiring and producing and marketing books that met that demand, you wouldn't be looking for a job right now.
As part of my outreach program to former developmental and acquisitions editors, I want to stress two points. First, you can't plan to replicate the business model that you're used to, but on a smaller scale. It's employees that are easy to downsize, not business models. You've rewritten or finished enough books for deadbeat authors, it's time to write one yourself. The great thing about being laid-off in America (so I hear) is collecting unemployment, so don't waste the chance by sitting on the couch and watching TV, or by blowing the money playing at being in business. Launch your publishing website today, and figure it out as you go along. Nobody is looking over your shoulder anymore, you can mess up all you want. But it's time to get out of corporate gear and shift up to self-employed gear, and if you can do it without coffee, you'll live longer.